Tuesday, November 13, 2012

Blow-Up Presents: Twilight of the Idols, Opening Reception December 8th at Evol Society


Blow-Up Blog is proud to announce our 2012 gallery opening, Twilight of the Idols Saturday, December 8th at Evol Society. 7-11PM

Participating artists include:
Cabe Booth
Megan Van Groll
Frank Campagna
Alfredo Salazar-Caro
Scott Tucker
Melissa Tucker
Brian Wetz
Kevin McCartney
Daniel Driensky
Chris Morrow
Kevin Obergon
Alex Remington

Mark your calendars and stay tuned for more details. Search Blow-Up Gallery on Facebook. We are proud to show some of the best artworks Dallas has to offer!

Monday, June 4, 2012

Scott Tucker Showing at 500X Gallery, June 9th, 7-10PM Dallas,Tx

"La Dolce Vita" on walls of 500X Gallery, Dallas TX

This weekend should be pretty fly for the Dallas art and night life world. Starting Friday evening, Alex Remington will be showing at Uptown Vision. The reception times are 6-9PM. Remington's social commentary work was featured on Blow-Up Blog earlier this year. Take a look a few posts back and dig in. Later that night my band THE ORANGE will be playing at The Curtain Club with Opium Symphony for their CD Release party and probably having an after happening somewhere. Saturday night, I have been graciously invited to show two of my original paintings at 500X Gallery, Texas oldest artist run and coolest gallery space. I have chosen to show "La Dolce Vita", and "Late Night Drive" for the occasion. Both paintings were originally painted upon request for Neiman Marcus in celebrating the, "Fashions Night Out" events in 2010 and then again in 2011. It's a really great gallery space and I have been waiting for an opportunity to rock that place for awhile. It should be a blast. The open bar policy works just fine for everybody too. Don't forget to tip. Also later that night, or possibly during, David Quadrini's newly reopened Angstrom Gallery will be hosting an event too. I ran into Quadrini the other day on my way to the Meridian Room on Exposition after hanging the work at 500X. I also got a preview of the entire show from his lovely assistant. Honestly, I'm pretty excited Quadrini came back to Dallas from his six year perch running Angstrom out of L.A. He really brings the cool artwork and vibes this town horribly needs to call itself hip. So everyone stop by one of these fantastic events if you have a chance and I promise you shall not be dissapointed. Here is some show info along with some pics of hanging my stuff at 500X Gallery.

"Late Night Drive" 2011


Hanging time at 500X Gallery

500X Gallery500 Expositon Ave.
Dallas, Texas 75226
214.828.1111 | 500x.org
HOURS: Saturday & Sunday Noon-5pm, and Weekdays by appointment




Tuesday, March 20, 2012

Alex Remington Photography: Social Issues Needn’t Rest


Alex Remington is a graduate of Southern Methodist University. Last week I had the pleasure of meeting Remington’s invitation to visit his uptown photography studio. What I found inside was far from a stereotypical SMU finance major’s bachelor pad. Creepy mannequins, oversized provocative images (littering most of the studio), an oversized feline, and Alex heating up what seemed to be a portabella mushroom sandwich…. with marinara sauce. My first thoughts….The man is an artist. Remington’s work can be considered social commentary, but really it’s more than that. The stigma “social commentary artist”, seems a bit of a cliché these days. In fact right here on Blow-Up I have several pictures posted of an art opening I attended whose “artists” attempted social commentary work with far less success. I‘m not going to name any names, just scroll through photos from some of the openings (one in particular) I’ve attended and you will see where I get off saying what I’m saying. In contrast, Remington’s work actually deals with real living people, not made up characters or scenarios. Remington’s subjects live the lives they portray in their portraits. The drag queen moving the lawn is actually a real drag queen… and that’s really his own lawn and mower. On a personal note Remington seems sincere in the sense that he takes great pride and puts a lot of thought in his work. Just from the amount of materials he houses in the studio you can tell the man rarely has a thought escape the manifestation of his craft. Blow-Up will be following Remington’s work and feature a full length in depth interview with the artist when his April 2012 showing opens. In the meantime check out these awesome photos.
http://www.alexremington.com/
Blow-Up







 

Saturday, February 4, 2012

Jake Reilly's 'Amish Project:' 90 Days Without a Cell Phone, Email and Social Media (Ironic that I'm posting this on Blogger)

College Student Drops Social Media, Reconnects with Romance


By Brad Sylvester | Yahoo! Contributor Network – Tue, Jan 31, 2012
Could you live without daily electronic conveniences -- Twitter, Facebook, email, texting and more -- for 90 days? Jake P. Reilly, a 24-year-old copywriting student at the Chicago Portfolio School, did just that. [Related: See more of Reilly’s work at www.bodycopybyjake.com]
From October to December, he unplugged from social media, email, texts, and cell phones because he felt that we spend more quality time with gadgets and keyboards than we do with the people we really care about.

During his social experiment, he found that some people he counted among his close friends really weren't that close after all. He also discovered that taking a break from his relationship with social media and really paying attention to the people around him can revive real-life romance.
I spoke with Reilly over the phone this weekend about his 90-day project, what he learned from living without electronic leashes and how it changed his life.



You say you spent three months completely cut-off from the virtual world. What steps did you take to do that?

Reilly: I called Verizon and suspended service for my cell phone. I deactivated Facebook. I deactivated Twitter, deactivated Linked-In, deactivated Spotify, and anything where there was a social component. I put up an out-of-office on both of my email accounts, like, "I'm sorry for the inconvenience, but I won't receive this until the end of the year."

Did you ever cheat and check to see what messages came in?
Reilly: I never went back on any of the social stuff. There were a few times when the bank would send me an email verification. My roommates would see me checking something like that, and they'd see me with my hands up to shield my eyes from the bulk of the screen, like a girl would do when she's watching a horror movie that she doesn't want to see. I genuinely didn't want to see what was there, because once you look you've got an urge to read it.

Before what you called "The Amish Project," how much time would you typically spend on social media sites, texting, and so forth every day?

Reilly: It was pretty bad. I was reading every single Tweet and I follow 250 people. Then, I would waste a good hour and a half on Facebook. I was sending more than 1,500 texts a month. I never really counted minutes on the phone, but I wouldn't be surprised if it was 600 to 900.
What about now, has it changed?

Reilly: I mean, I struggle with that because everyone wants to know about it, and wants to know how different it is. It's hard, because I was just going to turn off my phone at first. That was the thing that bothered me most, but I realized that if I turned off the phone, people were just going to email me all the time or send me a million Facebook messages. It's kind of a hard thing, because we're getting to the point where if you're not responding to people's text messages within an hour of when they send them, or within a day for emails, it's just socially unacceptable. It's been hard for me since I've been back. I've been bad with my phone and people are, like, "What the hell? I text messaged you…" So I haven't been up to social standards in terms of responding and people don't really understand that, I guess.

In the opening of your "Going Amish" presentation, you say that you had friends over and realized what was going on. Describe what you noticed and your feelings right at that moment.

Reilly: I live with three guys and we had two of our best friends in visiting from New York City. We only see these guys once a year, maybe every six months. We were at the University of Wisconsin watching a Badgers basketball game or something like that. Every single person had either a laptop or a cell phone. That's just kind of funny to begin with, then, I was like, "What are we all doing?" I asked everyone what they were doing and somebody's playing Words with Friends, somebody's playing Angry Birds, somebody's playing online trivia. Nobody's really doing anything, just sitting quiet. It's like this was what we were all looking forward to and we're just sitting here numbing our minds.
That's the thing that drives me crazy. People go out to dinner with a crowd and everyone's on their phone. I mean, what else are you looking for?

How did you communicate with family, friends and business associates during your "Amish" period?

Reilly: Ha! Not well, to say the least.

Do you have a landline?

Reilly: At first, we didn't, but my mom started freaking out a little bit and we got a landline. For the first three weeks, there was a hospital right next to my apartment. I went into their waiting room where there's a courtesy phone for their patients. I was using that to call people. I had written a little address book with all the important people that I needed to have their phone numbers, but, you know, most people don't answer their phones. Most people just use them to see who called. Then, they'll text you, or they'll call you back when they have time. So, I'd either sit at the hospital waiting for people to call back or I'd go home. I was in and out of this stupid hospital waiting room all the time for the first couple of weeks.
Then, we started to have more fun with it. I started to carry chalk around with me. I ride my bike a lot, so, I'd ride my bike over to people's houses and leave them messages in chalk on their sidewalk. I set up a couple of systems with people where, when they got home, they would put something in the window, like a stuffed dog, or put a pumpkin up on the ledge that meant "Hey, I'm here. Come talk." I started having fun trying to dream up different ways to get people's attention.

Were there people who said, "I'm just not going to participate in this. If you can't answer my texts, I don't need to talk to you."

Reilly: Yeah, I mean, I definitely just lost complete contact with people that normally would have been part of my life. I mean it's also an interesting metric for your life to see who some of your closest friends are, you know, and who's willing to take the time. I started to feel bad for them, too, because it definitely became a nuisance, but, yeah, it definitely changed the level of, or the number of friends that I had and the level of contact that I had with them.

So, with some people it clearly decreased your level of interaction, but were there others with whom your contact increased in either quality or quantity while you were disconnected from the virtual social society?

Reilly: That was my other favorite part. I had so much free time on my hands. I also wasn't watching TV, because that felt sort of counter-productive. I would go to school, and then there was really nothing for me to do at home, so I would just ride my bike to people's houses, all these people that I would usually text or just see on the weekends or whatever. I would just ride by and chat with them, face to face. So, that was really cool, reconnecting, doing things you'd never normally do like having breakfast with someone's parents.

You posted several of the notes you received from friends during your isolation. One note read "Jake, I'm pregnant. Call me." What was that about?

Reilly: Ha! At the school, there's an elevator. No matter where you're going, everyone has to use the elevator on the ground floor. So, for the people that I went to school with, that was the first place we'd post projects or memes. I didn't say this is my message board, but one of the girls just started leaving messages, like, "Hey. I'm on the fourth floor. Come find me," or "Jake, where are you?" It's a very public forum, so everybody can read it. It became my message spot.
Then, people almost treated it like a Facebook wall. It evolved from leaving messages for each other, to joking around, like, "Jake, your mother called. She said she doesn't love you anymore," and "Jake, the cops are looking for you," and all this stuff. It turned into a funny thing.

At one point there was a Christmas greeting trampled in the snow? What were the circumstances around that?

Reilly: Yeah, that was mine for my long-term girlfriend who I had kind of stopped seeing, but then this whole thing kind of, I think, helped us get back together because whenever we were together there was no pressure. It was, OK, we're just going to enjoy each other right now, because I don't know when I'm going to see you again. There was no drunken text messaging and jealousy from Facebook. It was just her and I.
So we started seeing each other again, and I did a lot of cheesy stuff like writing a big chalk message on the street in front of her office building and sending her a cookie with a message written in frosting and stuff like that. On the last week that she was in Colorado I went out and wrote Merry Christmas to her -- that picture was taken from the roof of the apartment we were staying at.

Do you think that those who rely so heavily on social media to interact with others are training themselves to communicate only at the most superficial level?

Reilly: Yeah, for sure. I think that Facebook is the biggest waste of time, because everyone is just presenting such a filtered picture of themselves. You only put up your best pictures. People only check in when they are at the fanciest restaurant in the city. They only keep things up there that are flattering to themselves. I just think it's like keeping up with the Joneses, but for life. You're never going to get on top of it. Someone's always going to have a better job than you, go on better vacations than you, have a better looking wife than you, or whatever it is. So, it's superficiality on top of superficiality. You never get to see the real parts of people.

Did you have to relearn skills to function without electronic communications? Writing letters, for example. I know my son has nearly illegible penmanship because he has been typing everything instead of handwriting since he was very little.

Reilly: I really don't have good penmanship at all. The funny thing is that I had written like 15 or 20 letters, and I just held them for two weeks until one time I dropped my pack and realized that I had lost the letters. I had taken all the time to write the letters and then lost them, because I didn't take the time to go mail them. You know, when's the last time I sent a letter? Never. So, I had to remember to stamp it right away and get it in. Then, it's going to take a week to get there. So when you need to say something to someone, you need to get it right in on time.

You said that you had much more free time when you stayed off Facebook and social media sites. Did this extra time translate into higher productivity or better grades at school?

Reilly: Yeah, a hundred times over. Like I said, there wasn't really much to do at the house, so I stayed at school most nights until 10 when everyone else leaves around 6, without a doubt. I think what's so hard for people and so distracting for people is that where they work, there are social media distractions on the same machine that they are supposed to be using to do their work. I'm sure every office in the country suffers from these things. I couldn't go to these sites, and when you can't distract yourself, all you can do is work.

How did you fill all this extra time? What's one thing you would have never accomplished if you hadn't taken this break in your relationship with social media?

Reilly: I did a lot of things that I don't know […] other people would say they want to do. But I think, if they actually did them, they'd be of incredible value. I started meditating. People give you a lot of books that you can take time for, like "The Power of Now."
The best part for me was just the difference between riding your bike to work and going for a bike ride just for the fun of it. I would sit in the park a lot, throw the football with my friends, go ice-skating, and all that kind of silly stuff that you take for granted. It's all around you. I think that was the best part and most people really overlook that.

So you ended up not only with more time for work, but more time for play as well.

Reilly: Yes, absolutely. It was weird, because you had to think of how to play. Most people think more time for play means let's watch a whole series of video clips or tag some pictures, but when you don't have all that stuff, you expand your mind about what you want to do with your free time.

There's a real difference in the quality of that time. If I sit and play Angry Birds for an hour a day, I don't look back and say "You know, I had a really great Angry Birds session three weeks ago. That was a really great time," but if I share a sunset walk on the beach with someone, that's a memory that I can treasure forever.

Reilly: Yeah, sometimes you just sit on the internet and four hours goes by, and you're, like, I really didn't do one single thing. Maybe I looked at an article, looked at pictures, watched some dumb videos and got stuck in a YouTube black hole for an hour, just looking, looking, looking. I think you'd have a hard time finding anyone who thought that was really enriching your life.

I mentioned your story to my father-in-law the other day, he said "You want to interview somebody, talk to me. I've been doing that for 69 years!"

Reilly: Ha! I think that's what's so much fun about it. I've had a lot of action on Twitter for the last few days and a lot of people send me emails saying exactly that. I think adults really relate to it and think it's cool that someone from my generation is choosing to do it. They all say, "That's how we lived for 40 years. Can you imagine our whole life is like that?" That was interesting to me. I asked my grandparents, "How did you guys find each other when you wanted to go out or something?" They said stuff like throwing window pebbles and just driving by people's houses, and having a diner that you would go and turn up at where people were always there. I mean, they obviously managed just fine, and I was anxious about it and didn't like it for the first few weeks. Then, I didn't even think about my phone or miss it at all. You just find new ways.

I understand your father, ESPN sportswriter Rick Reilly, had a suggestion about your experience?

Reilly: Yeah, he's tweeted it out on his account and he's gotten a lot of reaction to it, too. He's been talking about trying to do a romantic comedy about it. There were so many missed connections. I mean, at first, I would meet girls out at the bar, and they'd be, like, "Here, take my phone number." I would have to explain that I didn't have an email address or Facebook…

…but if they'll give you their address you'll stop by sometime?

Reilly: Yeah, and they were, like, "Screw you. If you don't want to call me just say so." I'd say "No, no. Tell me where your office is, and I'll send you a bike courier message or whatever." I think there's a lot of funny stuff like that. I keep telling people the hardest part was having to send all of my sexts by USPS. I mean, I didn't actually send pictures…

In the end, having finished this whole thing, is your life different now or did you fall right back into old habits?

Reilly: It's definitely different, but I catch myself doing exactly what I hated. Someone is talking to me and I'm half-listening and reading a text under the table. For me, it's trying to be more aware of it. It kind of evolved from being about technology to more of just living in the moment. I think that's what my biggest thing is: There's not so much chasing for me now. I'm here now, and let's just enjoy this. You can be comfortable with yourself and not have to go to the crutch of your phone. For me, that's more what I will take away from this.

Do you have future projects planned?

Reilly: I keep telling everyone I should do another 90 days where I don't speak to anyone in person and only communicate by internet or through technology, but that's just a joke. It's really changed my life. Like I said, I'm back with this girl. Everything's a lot simpler. I'm more than happy that I did it.

What else did you learn?

Reilly: I think the letters were the coolest part and how people were really into it. I think I wrote 75 letters and nearly, I'd say, 85 percent came back with responses. Now all these people are responding to the video online. All the appreciation, I think the coolest part is that all these people really see this in themselves and wish that there was a different way and we weren't so tied to all that stuff.

Let me ask you one more question about the letters. What's the difference in the level of thought and feeling that you put into writing a letter compared to typing 140 characters?

Reilly: What we do now, on e-chat, is people just flying off with whatever comes to mind. It's so much different to have it really thought-out. I'm a writer, so it's time consuming. I think it takes 20 minutes or half an hour to write a letter and really get it the way I want it. I think it's a better, purer way to communicate. People appreciate it so much more when you send them a handwritten letter or even a thank-you note showing that you're taking the time to think about them.

Conclusion
With modern technology, texts and Facebook wall posts can serve as an attractive veneer making relationships seem more genuine than they really are. Conversely, social media can interfere with our most intimate real-life relationships. How many of your closest relationships would suffer if people had to invest more effort than sending a text to stay in touch? How much better could your relationship with your significant other be if you could give your partner your full attention whenever you're together? There's one way to find out, if you dare.

To see more of Reilly's work, go to BodyCopyByJake.com.

Thursday, February 2, 2012

Okay, Okay, It's About Time Blow Up Mentioned The Shepard Fairey Murals In Dallas (Pegasus News)

Illustrator Shepard Fairey, who is most famous for his Barack Obama "hope" poster from the 2008 presidential campaign, is in Dallas this week to paint several murals carrying messages of peace. He was invited to the city by members of the Dallas Contemporary and will play host to an event called Phenomenon on February 4, billed as a "neon-inspired dance party."

While painting, Fairey is also working with artists from Sour Grapes, a group of graffiti artists in Dallas. We caught Fairey in action as he painted a mural on Singleton Boulevard in West Dallas and had him talk about his Dallas projects.

Pegasus News: What are the themes of all the murals?

Shepard Fairey: The themes of all these murals are basically peace and harmony. Since I do a lot of political work but some building owners don't want me to be too controversial, I'm using subject matter that is true to what I believe in but is, I think, pretty much universally accepted as positive. So, I used my wife as a model. She's in a meditative state and that's what this mural is going to be. The mural around the corner says "Rise Above," but basically [is] trying to encourage people to get along and be peaceful.

Why did you choose Dallas for this mural project?
I'm friends with Peter Doroshenko, the director of the Dallas Contemporary Museum, and worked on a street art project with him in New Castle and in the U.K., and now he's here and suggested that I come to do some murals here. There's a -- seems like a growing art scene in Dallas, which is exciting. So, I'm all for putting my art work on the city streets in any metropolis where a lot of people are going to see it. I think art should be for more than just indoors and galleries and museums. I think it's a great way to create a dialog in public space.

What's it been like to work with the Sour Grapes?
The sour Grapes crew offered us some other walls to hit. We're going to try to get as much finished as possible so that we can go and just restyle whatever walls are available. It's really generous for Dallas locals to offer us wall space and some guidance and great hospitality.



Besides the hours Fairey spends painting, he told us he's staying at the Belmont Hotel in Oak Cliff and has eaten at the nearby restaurant Smoke. "I'm from the South so I love good southern food with barbecue," he said.


Monday, January 30, 2012

Portland's Music Guru Paul Levins Top 21 Albums of 2011

OK, another year, another list.  This was a strange year for music.  Dubstep and chillwave invaded the Top 40 pop of the neon, feathered youth, the 90s nostalgia wave washed up all kinds of angsty memories, and everything got re-issued with bonus tracks.  Here's what I was listening to most last year, 21 heavy rotations and a stack of repeat listens.

1. The Decemberists - The King is Dead/Long Live the King (Jan. 18/Nov. 1)
Taking a step back from the proggy experiments of their last two albums, the songs here are shorter, their stories more concise, and their hooks more up-front.  The whole thing is infused with healthy dose of Americana, even going so far as to have bluegrass-folkie Gillian Welch sing backup on seven tracks.  November's follow-up EP is more of the same; both albums are fantastic.  Here's one from each: (http://youtu.be/xJpfK7l404I)(http://youtu.be/1tBHuczQecE)

2. Iron & Wine - Kiss Each Other Clean (Jan. 25)
This is supposed to be Sam Beam's "70s AM radio" album, and, as such, it's easily his most accessible.  The songs are catchy and beautiful, with more complex arrangements and fleshed-out production than anything he's done so far. (http://youtu.be/tUJl4dpIQgA)

3. Cut Copy - Zonoscope (Feb. 8)
I love this album, love it.  It's the danciest of the albums on this list, a perfect combination of New Order and Baltimora. (http://youtu.be/r2xovJyBo-0)

4. Adele - 21 (Feb. 22)
This was the biggest-selling album of the year, and it absolutely deserves to top that list.  It's a powerful, occasionally heartbreaking instant classic from a real virtuoso singer.  I can't imagine any of you missed "Rolling in the Deep" so check out the sweeping "Set Fire to the Rain"(http://youtu.be/dCLS_ztGOBk) and the arresting "Someone Like You"(http://youtu.be/hLQl3WQQoQ0)

5. Radiohead - The King of Limbs (Mar. 29)
This album was actually quite a let-down for me, especially following the fantastic In Rainbows.  It's just too sedate and doesn't present much to grab onto.  But I listened to it over and over throughout the year waiting for it to click (a concession I make for very few artists outside of Radiohead), and finally, somewhere around October, it did.  It's still not my favorite album of theirs, but it's far from without merit.  Here's the skittering "Morning Mister Magpie" (http://youtu.be/fa67ZAA2ZIc) and the soothing Give Up the Ghost (http://youtu.be/Akdxrqt9r5Y).

6. The Pains of Being Pure at Heart - Belong (Mar. 29)
This one, on the other hand, I dug right from the first spin.  It's a blurry mash of The Cure, My Bloody Valentine, and The Smashing Pumpkins that leaves me smiling and humming every time, even as I'm gazing down at my shoes. (http://youtu.be/VRZ9FRsnYyQ)

7. Jason Isbell - Here We Rest (Apr. 12)
Jason Isbell's new album offers up another handful of songs steeped in that distinctive Muscle Shoals not-quite-country Southern songwriting.  I believe Isbell to be my generation's greatest songwriter, and this new collection does nothing to dispel that notion.  I've seen the man play at least half a dozen times, so I can also say with some certainty that he's one of greatest unsung guitar players around as well. (http://youtu.be/zUedNbfQFSs)(http://youtu.be/x9iYAJ-wVKQ)

8. Paul Simon - So Beautiful or So What (Apr. 12)
This mid-April day brought an album from another "best of his generation" songwriter, and it's another fantastic collection, his best in years in my opinion.  The arrangements are varied and fun, and the lyrics are full of the spiritual meditation tempered with wry humor that fans of Simon have come to expect. (http://youtu.be/IJP9r_A9t_U)

9. tUnE-yArDs - W H O K I L L (Apr. 19)
Playing this album for the first time was the most exciting listen I had last year.  Frontwoman Merrill Garbus has created something unique to my ears and I am extremely grateful to her for that.  It's not a sound I can pin down or describe effectively; suffice it to say that she uses a looping machine and lots of percussion (and, here, a few backup players) to augment that strange powerhouse of a voice, creating something wonderful. (http://youtu.be/YQ1LI-NTa2s)(http://youtu.be/PGSMJAEx5o4)

10. Holy Ghost - Holy Ghost (Apr. 26)
Hey, check it out!  It's the return of 80s club music!  Fun live show too! (http://youtu.be/XcMK7nGq6oQ)

11. Foster the People - Torches (May 23)
This may as well serve as the distillation of the kind of indie music currently being embraced by the zeitgeist.  Sing about whatever you want, but give us a beat and a chorus to which we can sing along.  You might be sick of hearing "Pumped Up Kicks" at this point, but I'm just thrilled that this is the stuff that's getting overplayed nowadays (Remember what we were being subjected to 10 years ago?).  Luckily for the band, the rest of the album holds up just as well as the singles.  They may just have a future. (http://youtu.be/04TXoFI6CSM)

12. My Morning Jacket - Circuital (May 31)
It dawned on me around the time this came out that nearly all of my favorite artists had releases in 2011.  That's pretty great! So is this album; it's less experimental that their previous, Evil Urges, but no less exciting for it.  Check out the sprawling title track (http://youtu.be/ohE3Dm9H0_g) and the lovely "Slow, Slow Tune" (http://youtu.be/bFBsj-JVO2I)

13. Dawes - Nothing Is Wrong (Jun. 7)
I fell for Dawes in a big way this year, continually revisiting this album and last year's The Band-aping debut North Hills in equal measure.  The melodies and harmonies therein are sublime, but it's the emotionally affecting lyrics more than anything that dug their hooks into me.  The ninth track, "Million Dollar Bill," is probably the saddest love song I've ever heard. (http://youtu.be/Hf3co_Rz2hk)  And here's one from last year's album, in case you missed it. (http://youtu.be/FhcqavNAhfc)

14. Washed Out - Within and Without (Jun. 12)
Review here: (http://scotttuckermodernart.blogspot.com/2011/09/new-music-editor-paul-levins-covers.html)

15. Beyonce - 4 (Jun. 28)
Review here: (http://scotttuckermodernart.blogspot.com/2011/10/beyonce-vs-jay-z-kanye-by-blow-up-blog.html)

16. The War on Drugs - Slave Ambient (Aug. 16)
Hazy, psychedelic indie Americana shoegaze album.  Yeah, I think that just about covers it.  I know it came out at the end of the summer, but this is a terrific winter album. (http://youtu.be/LpuxG9OZXpE)(http://youtu.be/rMToQg0vSds)

17. Girls - Father, Son, Holy Ghost (Sep. 13)
This was one of the more popular 90s throwback albums released last year, and it's easy to see why.  The songs are accessible and varied.  It's a generally laid-back affair, but there are enough excursions into loud guitar freakout territory to stave off drowsiness.  There's also a healthy dose of early 60s songwriting, making the album something of a high-concept throwback, like The Beatles or Pink Floyd making indie rock music in the mid-90s. (http://youtu.be/ukWhGXCBM6Y)(http://youtu.be/LBYBNyMNySU)

18. Wilco - The Whole Love (Sep. 23)
Any new Wilco release is cause for a celebration, especially one like this, which finds the band once again in Yankee Hotel Foxtrot territory, experimenting with all the musical tools at their disposal and pulling out one classic tune after another. (http://youtu.be/yWP4bI37mCE)(http://youtu.be/wTqEB0MyGdY)

19. Puscifer - The Conditions of My Parole (Oct. 18)
This group seems to be a clearing house for all the songs left in Maynard James Keenan's head after all the Tool and A Perfect Circle songs have been swept out.  It's certainly the most musically varied and fun of his three groups, with pseudo-folk (http://youtu.be/kodDAZE8oew), heady synth-pop (http://youtu.be/Q7VV4AnbRVk), and whatever this is (http://youtu.be/h6F4I15kfvo) all occupying the same album.

20. Childish Gambino - Camp (Nov. 15)
Actor/writer/comedian Donald Glover is also a damn fine rapper!  After releasing several mixtapes and an EP for free, he's finally decided he's ready to start asking for our money.  The good news is he's worth it.  While his previous efforts mostly aimed for laughs (albeit backed by serious skills), this album see's Glover tackling more serious topics while still exercising his sharp sense of humor.  All the music behind the rhymes is killer too!  For my money, it's the best hip-hop album of the year. (http://youtu.be/kZQFgXpG6LM)

21. The Black Keys - El Camino (Dec. 6)
The first time I heard this, it made me mad.  It's just too good; how is anyone supposed to follow this?  The songs on this album have more of a straight-forward rock sound than any of the previous blues-heavy releases from these guys, and it's just as good as anything that's come before.  Behold! (http://youtu.be/IttLxthqM7U)(http://youtu.be/0_JvY9xeVNM)

Runner-Up: The Steeldrivers
This is the group that I actually listened to more than any other in 2011.  They have two albums, 2008's self-titled debut and 2010's Reckless, both of which I heard for the first time last spring and both of which I listened to on repeat for the whole rest of the year.  These guys make bluegrass music, something I'm not usually drawn to, but the songs are excellent, singer Chris Stapleton's voice is awe-inducingly perfect for the style, and the playing is incredibly tight.  Here's one from each album, respectively, the Adele-covered "If It Hadn't Been For Love" (http://youtu.be/K4ehbMmPPaw) and "The Price" (http://youtu.be/xZrKTz8iUwU)

Other Albums I Really Dug Last Year
Amos Lee - Mission Bell
Brett Dennen - Loverboy
Cage the Elephant - Thank You Happy Birthday
Cold Cave - Cherish the Light Years
Foo Fighters - Wasting Light
Manchester Orchestra - Simple Math
The Streets - Computers and Blues (Supposedly, this is to be the last album from The Streets; also the accompanying online mixtape Cyberspace and Reds is worth tracking down)
TV on the Radio - Nine Types of Light
Bad Meets Evil - Hell: The Sequel (Once again, Eminem proves that he's not to be counted out.)
Big K.R.I.T. - Return of 4eva (Free download: http://hulkshare.com/ws8oczkeecgg)
Das Racist - Relax (This one you have to buy, but you can get their two previous mixtapes for free here: http://dasracist.net/music/)
Death Cab for Cutie - Codes and Keys
M83 - Hurry Up, We're Dreaming (An appropriate title as this is my vote for the dreamiest album of the year.)
Middle Brother - Middle Brother (a supergroup of the frontmen from Dawes, Deer Tick, and Delta Spirit)
Mutemath - Odd Soul
Ryan Adams - Ashes and Fire
The Rapture - In the Grace of Your Love
Tom Waits - Bad as Me
Bright Eyes - The People's Key
Grouplove - Never Trust a Happy Song (From NPR: "Wild, thrilling, and above all joyful noise" Yup.)
Imelda May - Mayhem
Sissy Mena - Record Machine (http://music.sissymena.com/album/record-machine)
Dave Alvin - Eleven Eleven
Fucked Up - David Comes to Life (SCREAMING OUT THEIR CONCEPT!)
Justice - Audio, Video, Disco
Sleeper Agent - Celebrasion
Ha Ha Tonka - Death of a Decade
Cosmo Jarvis - Is the World Strange or Am I Strange?
Frank Ocean - Nostalgia, Ultra (Free Download: http://www.datpiff.com/Frank-Ocean-Nostalgia-Ultra-mixtape.210282.html)

I have compiled a Spotify playlist with a couple of tracks from nearly every album on this list.  I think the only way you can access the whole thing (93 tracks!) is to search for my name on Spotify.  Also, just like last year, many of these albums can be downloaded for $5 from Amazon through the end of the month.  And, as always, recommendations are appreciated.

Thursday, January 26, 2012

PHANTOGRAMS OPENING (Wrap Up) December 10th, Rising Gallery, Dallas Texas

The PHANTOGRAMS Art Opening last month took a major amount of work to coordinate and put together but was completely exhilarating and worth all the efforts. Throughout the night we had over a hundred guests and are still selling work from the showing. A special thanks goes out to Brian at Rising gallery and of course to everyone for making this such a special night for me, my family and Mr. Isaac Wynn. Although many originals from the opening have sold, we have made limited edition prints available of most PHANTOGRAM pieces for those interested in purchasing. Please Email me for further inquires. Meanwhile enjoy the pictures by Alexandria Olivia.
reach_scotttucker@yahoo.com

Sandi Munoz with Scott Tucker

Isaac Wynn with Jane Goodwinn and Mr. Goodwinn

Cody Waits and Emily Penn

Mathew Lux and Kirk Livesay

"Girl With The Skull Earing" 2011 Melissa Tucker, Original $2300

Kathy Stillwell and Sally Marceleno

"Marie Antoinette" 2011 Melissa Tucker, $3500 SOLD

David Marceleno, Melissa Tucker and Scott Tucker Sr.

Melinda Marceleno scopes the scene

Doug Hall and Captain Troy Marceleno

"Beyond The Valley Of the Dolls" 2011 Scott Tucker $800

Mathew Lux and James Loubriel

Scott Tucker Sr.

Scott Tucker with Eddie Henderson

Darlington and Jordyn Newman

"Napoleon Crossing the Alps" 2011 Scott Tucker Sr. $4000 SOLD

"The Corination of Josephine" 2011 Melissa Tucker $4000

Scott Tucker with abstracts

Daniel Langerman and Scott Tucker

"Napoleon Phantogram"2011 Scott Tucker $2500

Isela Hernandez, Melissa Tucker with Vicky Villasenor

Pauline and Vern Laws

Tyler Spears, Cody Waits with Nick Metzger

"Tribute to Robert Pirsig" 2006 Scott Tucker NFS

Marshall Harkins with Melissa Tucker

Scott Tucker Sr. with Keith England

Designer Jeff Woodard with Filmographer Eddie Henderson

"The City's Secret Warmth" 2011 Scott Tucker $1500

Gabe Guevara with Eddie Henderson

Rising Gallery

Kaylee Matheson with Gabe Guevara

Keith England, Cody Waits and Emily Penn

New Mexican artist Joe with Scott Tucker and fellow artist Michael Graves

"Dripping Hand" 2010 Scott Tucker $400 SOLD

Eddie Henderson and Michelle Tucker

Captain Troy Marceleno with Daniel Langerman and Nick Metzger

" Untitled" 2011 Scott Tucker $2500

Scott Tucker and Freddy Hernandez

DJ HOYOTHO

Caroline Hemphill with James Loubriel and Scott Tucker

Mary Poe and James Loubriel

Greg Klien, Mary Poe,and James Loubriel with Scott Tucker

Greg Klien with Scott Tucker

Alexandria Olivia with Nick Metzger

Scott Tucker, Eddie Henderson with Carol Brooks

"Mona Lisa Phantogram" 2011 Melissa Tucker $2500

The Tucker Family