Thursday, September 29, 2011

Washed Out's Within and Without: By Blow-Up Blog's Newest Music Editor, Paul Levins


Let me start by saying that I am not a fan of this “chill-wave” movement.  Sometimes called glo-fi  or dreampop, depending on whom you ask, the genre’s style is midtempo, heavily electronic, and with a hazy, detached quality that does nothing for me.  I tend to gravitate toward a more visceral music experience, be it propulsive intensity that gets my blood pumping, complicated arrangements that tickle my brain, affecting lyrics that push my buttons, a truly soulful performance, or simply a beat that compels my ass to shake.  Chill-wave puts emphasis on none of that, so bands in this genre (Destroyer, The XX, Toro y Moi, etc.) usually bore me to tears.  Ladies and gentlemen, I have found my exception.  The band is Washed Out, and the album is Within and Without.
It’s not that this album is set that far outside the genre; it carries all the trappings listed above.  I think what elevates it for me is the high level of production and the slightly accelerated tempo.  On the production side, the album sports a fully fleshed out sound with arrangements deeper than the “electronic bleeps in empty space” profile of its compatriots.  And the faster tempo brings it up to a level  necessary to avoid garnering my usual chill-wave descriptor, “sleep inducing.”  The record still doesn’t command my full attention; the lyrics are buried under reverb, and the songs are not particularly unique from one another.  It is however a fantastic background record, pleasing but unobtrusive.  Remember that song “Porcelain” from Moby?  If not, here. (http://www.youtube.com/watch?v=uBKa9lqdwjw)  The sound of Within and Without is something akin to that song with the melancholy surgically removed, nine variations on one very solid theme.  The effect is like an audible neck massage, fingers through your hair, and a whispered “Everything is okay.”  A more reductive way to say it would be that the music seems tailor-made for the ecstasy crowd, but unlike some records (I’m looking at you, Neon Indian.), a history of drug use is not required for enjoyment.  (http://www.youtube.com/playlist?list=PLF67C10869720A729)

Meet Blow-Up's Newest Music Editor: Paul Levins


Portland Oregon is home to The Dandy Warhols, Modest Mouse and Blow-Up Blog’s newest editorial member Paul Levins. Over the next few months Paul will be expanding our musical horizons with his unique and excellent taste in sonic offerings.  We look forward to his contribution to the blog and hope your mp3 players  and imaginations do too. Paul, welcome to Blow-Up!

Sunday, September 25, 2011

James Emerson's 2nd Coming On Blow-Up Blog


VERFYLSCHTE!  VERFYLSCHTE!
BY
JAMES EMERSON


          A middle-aged man relaxed at his kitchen table on an early Saturday morning preparing to read the Mobile Statesman’s front page. He was sipping black coffee and chewing homemade butter tarts his wife prepared the previous night.  She was sleeping warm under the covers of their king size mattress dreaming of her stepson, Frank Mitchem.  She hadn’t seen him for three days and he called her when he’d leave for a midweek getaway with Quincy, his childhood friend.  He hadn’t called!  She and her husband expected the worst praying for the best.
The sun hadn’t risen and geese on their family property were still floating on a small man-made pond with their heads tucked into their feathers not bothered by the multitude of water bugs sprinting back and forth in front of their breasts.  Edward Mitchem filled his second mug of coffee and added sugar while yawning.  He hadn’t wiped the sleep from the corners of his eyes and could feel green sand paper run-off scratching his eyelids.  Edward set his cup on the newspaper and cleared his eyes.  Now, he felt awake and decided to play a record.  Thumbing through his sizeable vinyl collection from Classical to Opera to Blues and Smooth Jazz, Edward picked a soothing piece from Puccini.  His favorite opera, La fanciulla del West, he relaxed in its soothing intensity.
It was time to open the paper.  He looked at the headline, “Alabama continues to allow drilling in the Gulf”.  He clapped his hands.  The day wouldn’t be so bad.  He continued to the next story, “August, Alabama…” the rest of the headline was smudged by a small coffee stain.  It didn’t catch his interest.  He tossed the front page and grabbed the sports section.  Nothing worthwhile either, Edward was from Georgia and hated the University of Alabama.  It was the only sports topic his newspaper covered.  Besides, he was getting too old for the newspaper.  Edward hadn’t a reason to keep with current affairs.  He had money and a comfortable retirement and a loving wife.  It was enough to keep Edward busy through the rest of his life.  He was fine with seclusion.  A solitary life in the southern Alabaman country with Aphelia was all Edward wanted in the first place.  Still, he worried about Frank.  It was time for their annual Mobile weekend vacation.
It wasn’t too big of a deal.  Still, it wasn’t like Frank to abandon him.  The boy knew the day, the time of year.  It was annual.  Drive to the coast, eat a bucket of raw oysters and hit up a strip bar.  They were adults and neither ever mentioned it to the woman of the household.  It was a once a year type of thing where they’d sit in the back and glory behind concealing darkness.  Edward and Frank refrained from catching each other’s eye while buying a dance.  This wasn’t out of embarrassment.  They enjoyed being men and exhibiting their freedom once a year to be men.  Edward was getting old.  He was pushing sixty.  The excitement a mid-twenties naked female brought him would soon abandon his loins.  Soon, his heart couldn’t take the pleasure   Dammit, he wanted to spend the day with Frank, the stupid bastard.  He was a thankless orphan.
Years before, Frank’s mom ran off leaving him at a fire station.  Edward imagined the moment it happened.  Frank’s toothless mouth sucking on his mother’s nipple, drying the well the best he could.  All the sudden, he starts getting pulled and jerked.  Frank has to let go.  He’s crying while his teenage bitch mother struggles to button her top.  She sets him on the steps without thought or regretful notion. She wanted to get high and whore herself on the streets for some pimp.  Babies are regrettable mistakes to girls who refuse to change their lives.  However, Edward believed abortion was murder.  He had no problem with it.  The less Alabaman unwanted children there were, then the less there were in foster homes.
Edward didn’t have children of his own.  His wife, Aphelia, was barren.  They went to the adoption agency and saw Frank staring at them from a wooden cradle.  He was the only infant not crying or drooling.  It caught their eyes.  He was proud.  Edward and Aphelia wanted Frank to remain proud the rest of his life.  He wasn’t going to know the horrors of a pedophile foster home parent or the trifles of an abusive state ward.  Frank was theirs. 
During Frank’s childhood, Edward worked him hard on the property and crafted him to the best of his ability in the image of a good southern boy.  Frank was better looking and taller and stronger than Edward.  He chuckled and thought it better for society he wasn’t able to spread his seed like a mule into every nook and cranny he caved.  It was fate the one crevasse he filled throughout his adulthood couldn’t sprout forth his seedlings.  He watered and fertilized his lawn three or four times a week for ten years before he sent Aphelia to get her area examined.
The best way Edward could explain it to his curious now passed mother was as he so sweetly said to her, “Pulverized from birth, mother.”
After so many years of sadness, Aphelia and Edward were over it.  Old age smoothed out their bitterness and frustration.  Edward never held it against Aphelia.  They found a blessing in the form of an abandoned, athletic bastard. 
He had to come home!  Frank was going to come home.  He was twenty-two and strong and intelligent, smarter than the average adoptee.  He wasn’t in trouble.  They raised the boy right, but he was nowhere in sight.  He always called.  Three days gone is too long.  “Damn him, the thoughtless prick,” said Edward.
He threw a stone at an unwary goose in the pond.  The half-pound rock pounded into the bird’s chest and Edward delighted in the small explosion of feathers.  The goose struggled to stay above the water disturbing the dawn’s serenity as a dozen other geese jettisoned into the air flying in their v-shape formation to the north where some peace resided.  Edward looked at them coast off and saw the light from his back door.  He turned and was surprised to see Aphelia.  She bore the weight of a nightmarish sleep.  He noticed deep stress in the fluffy bags under her eyes.  They were dark and moist with tears as she walked to Edward in her nightgown and slippers.  In a moment of mutual trepidation at the reality they were facing, Edward put his arm around his wife’s shoulders.  Looking toward the stretching shadows, they enjoyed the sun rising above the treetops of their Alabaman landscape hoping to melt in its serene divinity. 

THE END

Tuesday, September 20, 2011

Beavis and Butt-head return to MTV! What?

That's right, the dynamic duo are making a comeback! According to the October issue of GQ it's unbelievably true. In this world of supreme mediocrity where more remakes than makes exist and our generation's nostalgia for the"simple pleasures" triumphs all, Beavis and Butt-head are back. As an somewhat educated and active member of Generation Y (watching Matlock and blogging on a Tuesday afternoon) personally, I'm excited. The only problem is that MTV doesn't play music videos anymore. Word is the duo will be taking their "talents"(oh God help us) to The Jersey Shore! Oh well, you have to start somewhere after 14 years off the air. Props to Mike Judge for being a bad ass again. Wonder if other Generation Y'ers are going to harass their kids about watching the show like our parents did to us! Progress my friends, progress.   
-Blow-Up

Thursday, September 15, 2011

Dallas Weekend Openings: September 10th, 2011

   
Although there were about 15 art openings around Dallas this last weekend, I decided to see the 500X "New Members" show and the opening at Conduit Gallery as my top picks. As an art critic or more importantly as an art enthusiast I always try and do my best to propel the local art scene and give credit where it is so grossly deserved. In other words, I try not to slam any artist or particular gallery for having what I feel is somewhat...we'll just say, "misunderstood art". This time though, I think I should say what needs to be said! The great 500X Gallery, known as the oldest artist run space in Texas..lets just say.. needs a little help. There were a few good pieces in the “New Members“ opening and I cannot deny that. I’ve posted a few of those finds below on this blog. However, for the most part the show was...well...just not what I expected from a gallery with such pretenses surrounding its existence. In other words, "The wine was delicious". That was the general consensus in the group of ten that were with me that night. On the other side of town, Conduit Gallery had a remarkable display of work and including photography, sculpture and collage art (Pictured Below). It did seem most unfortunate that they closed the show at 8:30PM when clearly people wanted to hang longer. Also it looked like people were actually buying the art! Sculpture artist Sandra Ono of California sold several pieces that night. A pretty impressive display at the Conduit indeed.

500X Gallery Opening (The good, interesting and... very strange)







The Conduit Gallery Opening








Our group finished the night at The Foundation Room inside HOB with a bartender named Pat, who makes a great cocktail. Another night in Dallas comes to a close.
-Blow-Up

"Kevin McCartney thinks Damien Hirst is Predictable!" -McCartney


  A few weeks ago Blow-Up had the awesome opportunity to interview professional artist and creative director for Barney’s Dallas, Kevin McCartney. Sitting at the bar of The Cedars Social around Southside Dallas, Kevin and I watched a great view of the sun setting over the skyline while indulging in a few rounds of Guinness and talking art. Kevin is sort of a cool cat, reserved and well respected in the community but brash at times and never dull.  Some of his ideas about the creative process and what it takes to be an artist are fascinating. Honestly, I was so caught up in our conversations that I failed to take adequate notes and may just have to wing this article. As we drank and interviewed, I noticed his collage work was all over the walls around the bar. He told me the Cedars has been good to him and he’s regularly sold work there. He also said he made a piece to give me for the interview but subconsciously left it at his studio because of his hatred of parting with his creations; even for payment. I told him I understood but the thought was nice all the same. McCartney has been an artist for 26 years. He completed his undergraduate with a bachelors of fine arts at Edinboro University of Pennsylvania. He then completed his graduate studies at Indiana University of Pennsylvania.

Blow-Up:  “Kevin, what is your art really about? What do you think your art is really doing?”

McCartney:   “It’s controlled randomness. I control my work by what I choose to collect and use in my pieces. Almost like a mood shift. One day I wake up this way, one day I wake up another. Ultimately my emotional being or the id is in control. According to these emotional parameters what objects go into a piece are chosen and essentially the materials control you. Almost like Dr. Frankenstein. The doctor makes/controls a monster and the monster later controls the doctor. The doctor then becomes emotionally attached to the monster as you become emotionally attached to your artwork. A kind of metaphoric duality exists in the act of creation.”

Blow-Up: “That is really fascinating to me, it makes perfect sense!”

McCartney:  “It’s also about the choice of materials vs. the end result of the piece that I really get off on. Art is a process and really anyone can make art. I have numerous degrees in art and stuff but I always go back to found art. Marcel Duchamp, Joseph Cornell; guys like that really inspired me. I always incorporate what I love/collect into my work. I will always do what I do. I can make art out of anything”.

Blow-Up:    “So let me ask you, do you think that everyone is susceptible to artistic expression or do you think that it may require certain sensitivity to visual or conceptual stimulation?”

McCartney:  “People choose to have it or not have it. Art is part of a greater conversation and that conversation is not for everybody.”

Blow-Up:    “How susceptible do you think your artwork is to hype? I mean, in relation to what hype did for artists like Damien Hirst or Martin Creed.”

McCartney:   “I welcome hype. Out of perceived power you get real power. I think Damien Hirst is predictable! It’s all just a result of your ability to saturate your identity in the right place at the right time. I welcome hype and I want celebrity status!” (Laughs all the way around)

Blow-Up:    “I want to say that your pieces subconsciously evoke the question, “why” and immediately the viewer begins the analytical process of deconstructing the work into compartmental analysis. Overall I think I am a little upset that you forgot my piece because I’d love to analyze it every day in my personal art collection……bummer.”

McCartney:     “I’ll bring it next time.”

(another round of Guinness is enjoyed by all)






Kevin McCartney will be showing this fall at the PM Gallery in Dallas Texas. Follow Blow-Up for more information on his upcoming show. He also has work featured in the September issue of D Magazine. You can stop by the Cedars Social to see a few of his creations hanging on their walls. Cedars Social also serve a hell of a good cocktail and wicked cold Guinness!